Working class (or lower class, labouring class) is a term used in the social sciences and in ordinary conversation to describe those employed in lower tier jobs (as measured by skill, education and lower incomes), often extending to those in unemployment or otherwise possessing below-average incomes. Working classes are mainly found in industrialized economies and in urban areas of non-industrialized economies. As with many terms describing social class, ''working class'' is defined and used in many different ways. When used non-academically, it typically refers to a section of society dependent on physical labor, especially when compensated with an hourly wage. Its use in academic discourse is contentious, especially following the decline of manual labor in postindustrial societies. Some academics question the usefulness of the concept of a working class.

The term is usually contrasted with the ''upper class'' and ''middle class'', in general terms of access to economic resources, education and cultural interests. The cut-off between ''working class'' and ''middle class'' is more specifically where a population spends money primarily as a lifestyle rather than for sustenance (for example, on fashion versus merely nutrition and shelter). Problematically, relying on this method of distinction would rule out many of the people who are often identified as working class.

Its usage can alternately be derogatory, or can express a sense of pride in those who self-identify as ''Working class''.

Definitions

Definitions of social classes reflect a number of sociological perspectives, informed by anthropology, economics, psychology, and sociology. The major perspectives historically have been Marxism and Functionalism.. The parameters which define ''working class'' depend on the scheme used to define social class. For example, a simple stratum model of class might divide society into a simple hierarchy of lower class, middle class and upper class, with working class not specifically designated. Due to the political interest in the working class, there has been debate over the nature of the working class since the early 19th century. Two broad schools of definitions emerge: those aligned with 20th-century sociological stratum models of class society, and those aligned with the 19th-century historical materialism economic models of the Marxists and anarchists. Key points of commonality amongst various ideas include the idea that there is one working class, even though it may be internally divided. The idea of one single working class should be contrasted with 18th-century conceptions of many laboring classes. Sociologists Dennis Gilbert, James Henslin, William Thompson, Joseph Hickey and Thomas Ayling have brought forth class models in which the working class constitutes roughly one third of the population, with the majority of the population being either working or lower class.

Marxist definitions

Karl Marx defined the working class or proletariat as individuals who sell their labor power for wages and who do not own the means of production. He argued that they were responsible for creating the wealth of a society. He asserted that the working class physically build bridges, craft furniture, grow food, and nurse children, but do not own land, or factories. A sub-section of the proletariat, the lumpenproletariat (''rag-proletariat''), are the extremely poor and unemployed, such as day laborers and homeless people.

In ''The Communist Manifesto'', Marx argued that it was the destiny of the working class to displace the capitalist system, with the dictatorship of the proletariat, abolishing the social relationships underpinning the class system and then developing into a future communist society in which "the free development of each is the condition for the free development of all." In ''Capital'', Marx dissected the ways in which capital can forestall such a revolutionary extension of the Enlightenment. Some issues in Marxist arguments about working class membership have included:

The class status of people in a temporary or permanent position of unemployment.

The class status of domestic labor, particularly the children (see child labor), and also traditionally the wives of male workers, as some spouses do not themselves work in paying jobs outside the home.

Whether workers can be considered working class if they own personal property or small amounts of stock ownership.

The relationships among peasants, rural smallholders, and the working class.

The extent to which non-class group identities and politics (race, gender, et al.) can obviate or substitute for working class membership in Enlightenment projects, where working class membership is prohibitively contradictory or obfuscated.

Some answers to some of these issues, as argued, analyzed, and formulated over the centuries, are:

Unemployed workers are proletariat.

Class for dependents is determined by the primary income earner.

Personal property is clearly different from private property. For example, the proletariat can own houses; this is personal property.

The self-employed worker may be a member of the ''petite bourgeoisie'' (for example a highly paid professional, athlete, etc.), or a member of the proletariat (for example, a contract worker whose income may be relatively high but is precarious).

Students' class status depends on that of their family, and also on whether they remain financially dependent on them.

Race, gender and class are overlapping social stratification categories. It is possible for capitalists to strategically substitute the members of race, class, and gender groups to attain capitalist objectives; but once these stratification categories are formed and deployed, membership balkanizes experiences and interests.

In general, in Marxist terms, wage laborers and those dependent on the welfare state are working class, and those who live on accumulated capital and/or exploit the labor of others are not. This broad dichotomy defines the class struggle. Different groups and individuals may at any given time be on one side or the other. For example, retired factory workers are working class in the popular sense; but to the extent that they live off fixed incomes, financed by stock in corporations whose earnings are profit extracted from current workers, retired factory workers' interests, and possibly their identities and politics, are not working class. Such contradictions of interests and identity within individuals' lives and within communities can effectively undermine the ability of the working class to act in solidarity to reduce exploitation, inequality, and the role of ownership in determining people's life chances, work conditions, and political power.

The position of core capitalists is not nearly as contradictory within a capitalist system. Capitalists get their income, wealth, status, and power from owning the means of production, and they will have it managed for their own aggrandizement. From the capitalist perspective, it would be silly to manage production (or build political resources that could influence economic relationships) for the benefit of workers. To the extent that workers sometimes benefit in some ways from capitalism, it is not a central goal, but a byproduct. Thus, operating with less class interest contradiction and less identity contradiction, and more resources for political coordination, capitalist class members can often coordinate and prosecute their interests with a great deal of efficacy, over and against workers.

History

The history of the working class has been defined by two contradictory processes, the immiseration of traditional communities in order to produce workers, and the vast surplus of production available from industrialization creating better living standards. Throughout this process workers have taken cultural and political action to create their own cultures and positions within industrial society. Many of these responses have emphasized that working class individuals are defined by processes other than work. Working class history is generally accepted to begin with the enclosure of English commons, and the generation of paid industrial labor in manufactories in Holland and England.

In feudal Europe, the working class as such did not exist in large numbers. Instead, most people were part of the laboring class, a group made up of different professions, trades and occupations. A lawyer, craftsman and peasant were all considered to be part of the same social unit, a third estate of people who were neither aristocrats nor church officials. Similar hierarchies existed outside Europe in other pre-capitalist societies. The social position of these laboring classes was viewed as ordained by natural law and common religious belief. This social position was contested, particularly by peasants, for example during the German Peasants' War.

In the late 18th century, under the influence of the Enlightenment, European society was in a state of change, and this change could not be reconciled with the idea of a changeless god-created social order. Wealthy members of these societies created ideologies which blamed many of the problems of working-class people on their morals and ethics (i.e. excessive consumption of alcohol, perceived laziness and inability to save money). In ''The Making of the English Working Class'', E.P. Thompson argues that the English working class was present at its own creation, and seeks to describe the transformation of pre-modern laboring classes into a modern, politically self-conscious, working class.

Vladimir Lenin and Mladen Mikovic, his revolutionary assistant saw the potential for imperialism to ameliorate the drudgery of working class life in the advanced countries, and argued this had already begun in the United Kingdom in the early 20th century. Access to cheap sports such as boxing and bicycling, expanded food cultures including coffee, chocolate and later junk food, and particularly access to motor vehicles and home ownership, transformed the complexion of first world working classes during the 20th century. A similar process occurred in the Soviet-style societies, but at a far slower pace.

Starting around 1917, a number of countries became ruled ostensibly in the interests of the working class. While arguments over standards of living and potential growth rates have occurred in academic history and sociology, the development indexes of these countries are often higher than other countries of equivalent gross domestic product. However, additional criticisms have been leveled at these countries from authors who criticize the presence of massive human rights abuses which impacted primarily on workers, and for the lack of democracy within and amongst the working class. Some historians have noted that a key change in these Soviet-style societies has been a massive a new type of proletarianisation, often effected by the administratively achieved forced displacement of peasants and rural workers. Since then, three major industrial states have turned towards semi-market-based governance (China, Vietnam, Cuba), and one state has turned inwards into an increasing cycle of poverty and brutalisation (North Korea). Other states of this sort have either collapsed (such as the Soviet Union), or never achieved significant levels of industrialization or large working classes.

Since 1960, large-scale proletarianisation and enclosure of commons has occurred in the third world, generating new working classes at the margins of living. Additionally, countries such as India have been slowly undergoing social change, expanding the size of the urban working class.

See also

Apprentice

Embourgeoisement

Globalization

Household income in the United States

Knowledge worker

Labour movement

Proletarian literature

Living wage and Minimum wage

Social class

*Blue-collar worker and White-collar worker

*Bourgeoisie

*False Consciousness

*Lower middle class

*Middle class

*Proletarianization

*Proletariat

*Ruling class

*Reserve army of labor

*Underclass or Lumpenproletariat

*Upper middle class

*Upper class

*Working poor

Social mobility

Trade union

Unfree labor

US working class

Vocational education

Wage slavery

Low class culture

Working class culture

Working Class Hero

References

Further reading

Engels, Friedrich, ''Condition of the Working Class in England [in 1844]'', Stanford University Press (1968), trade paperback, ISBN 0-8047-0634-4 Numerous other editions exist; first published in German in 1845. Better editions include a preface written by Engels in 1892.

Ernest Mandel, Workers under Neo-capitalism

Moran, W. (2002). Belles of New England: The women of the textile mills and the families whose wealth they wove. New York: St Martin's Press, ISBN 0-312-30183-9.

Rubin, Lillian Breslow, ''Worlds of Pain: Life in the Working Class Family, Basic Books (1976), hardcover ISBN 0-465-09245-4; trade paperback, 268 pages, ISBN 0-465-09724-3

Shipler, David K., ''The Working Poor: Invisible in America'', Knopf (2004), hardcover, 322 pages, ISBN 0-375-40890-8

Skeggs, Beverley. ''Class, Self, Culture'', Routledge, (2004),

Thompson, E.P, ''The Making of the English Working Class'' - paperback Penguin, ISBN 0-14-013603-7

Zweig, Michael, ''Working Class Majority: America's Best Kept Secret'', Cornell University Press (2001), trade paperback, 198 pages, ISBN 0-8014-8727-7

External links

The Center for Working-Class Studies at Youngstown State University

International Labor and Working-Class History Journal

Images of the working class between 1840 and 1945 from the McCord Museum's online collection

libcom.org Working Class History page

The Working-Class poetry of Gerald Massey

Definition of "Working Class", Dictionary.com

An introduction to the working class, Prole.info

Bibliography - WORK, WORKERS AND THEIR WORKPLACES

Working Moms

List of Working Class Literature

List of Working Class Videos — Movies, and Documentaries

Paulo Freire Research Center–Finland

BBC Archive collection of TV & Radio programmes about Working Class Britain

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Category:Socialism Category:Social groups Category:Social classes Category:Labor Category:Marxism Category:Marxist theory

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100 (one hundred) (Roman numeral C, for ''centum'') is the natural number following 99 and preceding 101.

In mathematics

One hundred is the square of 10 (in scientific notation it is written as 10²). The standard SI prefix for a hundred is "hecto-".

One hundred is the basis of percentages (''per cent'' meaning "per hundred" in Latin), with 100% being a full amount.

It is the sum of the first nine prime numbers, as well as the sum of four pairs of prime numbers (47 + 53, 17 + 83, 3 + 97, 41 + 59), and the sum of the cubes of the first four integers (100 = 1³ + 2³ + 3³ + 4³). Also, 2⁶ + 6² = 100, thus 100 is a Leyland number.

One hundred is also an 18-gonal number. It is divisible by the number of primes below it, 25 in this case. But it can not be expressed as the difference between any integer and the total of coprimes below it, making it a noncototient. However, it can be expressed as a sum of some of its divisors, making it a semiperfect number.

100 is a Harshad number in base 10, and also in base 4, and in that base it is a self-descriptive number.

There are exactly 100 prime numbers whose digits are in strictly ascending order. (e.g. 239, 2357 etc.)

100 is the smallest number whose common logarithm is a prime number.

In science

The atomic number of fermium is 100.

On the Celsius scale, 100 degrees is the boiling temperature of pure water at sea level.

In politics

The United States Senate has 100 Senators.

In money

Most of the world's currencies are divided into 100 subunits; for example, one euro is one hundred cents and one pound sterling is one hundred pence.

The U.S. hundred-dollar bill has Benjamin Franklin's portrait; the "Benjamin" is the largest U.S. bill in print. American savings bonds of $100 have Thomas Jefferson's portrait, while American $100 treasury bonds have Andrew Jackson's portrait.

In other fields

One hundred is also:

The number of years in a century

The number of pounds in an American short hundredweight

The number of tiles in a standard Scrabble set for the languages, English, Arabic, Catalan, Czech, Danish, Esperanto, Finnish, Hungarian, Irish, Latin, Malaysian, Norwegian, Polish, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish

In Greece, India, Israel and Nepal , 100 is the police telephone number.

In Belgium, 100 is the ambulance and firefighter telephone number.

In United Kingdom, 100 is the operator telephone number

Hundred Days, aka the Waterloo Campaign

"The First Hundred Days" is an arbitrary benchmark of a President of the United States' performance at the beginning of his or her term.

100 is the HTTP status code indicating that the client should continue with its request

In entertainment

The number 100 $$$ appears in the titles of numerous books, films, TV shows, episodes of TV shows, songs, etc.

When a TV series reaches 100 episodes, it is generally considered viable for syndication. (For shows picked up midseason, this point is generally reached during a prime time series' 5th season).

In sports

The number of yards in an American football field (not including the end zones). The number of runs required for a cricket batsman to score a century, a significant milestone.

The number of points required for a snooker cueist to score a century break, a significant milestone.

The record number of points scored in one NBA game by a single player, set by Wilt Chamberlain of the Philadelphia Warriors on March 2, 1962 I The minimum distance in yards for a Par 3 on a golf course

See also

AFI's 100 Years...

100 Greatest Britons

100 Greatest Christmas Moments

100 Greatest Kids' TV shows

Hundred (division)

Hundred (word)

Hundred Days

Hundred Years' War

List of highways numbered 100

Top 100

The Top 100 Crime Novels of All Time

Top 100 winning pitchers of all time

100 Most Influential Books Ever Written

References

Wells, D. ''The Penguin Dictionary of Curious and Interesting Numbers'' London: Penguin Group. (1987): 133

External links

On the Number 100

Category:Integers

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Coordinates	40°26′30″N80°00′00″N
name	Johnny Cash
background	solo_singer
birth name	J. R. Cash
birth date	February 20, 1932
birth place	Kingsland, Arkansas, United States
death date	September 12, 2003
death place	Nashville, Tennessee, United States
instrument	Vocals, guitar, harmonica, mandolin
genre	Country, rock and roll, folk, gospel, blues, rockabilly
occupation	Singer-songwriter, musician, actor
years active	1955–2003
label	Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
associated acts	The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, The Oak Ridge Boys, Area Code 615, Roy Orbison, Jerry Lee Lewis, Carl Perkins
website
notable instruments	Martin Acoustic Guitars }}

John R. "Johnny" Cash (February 26, 1932 – September 12, 2003), A.K.A. "The Man In Black", was an American singer-songwriter, actor, and author, who has been called one of the most influential musicians of the 20th century. Although he is primarily remembered as a country music artist, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame. Late in his career, Cash covered songs by several rock artists.

Cash was known for his deep, distinctive bass-baritone voice; for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness, coupled with an increasingly somber and humble demeanor; for providing free concerts inside prison walls; and for his dark performance clothing, which earned him the nickname "The Man in Black". He traditionally started his concerts by saying, "Hello, I'm Johnny Cash." and usually following it up with his standard "Folsom Prison Blues."

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption. His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, including "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".

Cash, a troubled but devout Christian, has been characterized as a "lens through which to view American contradictions and challenges." A Biblical scholar, he penned a Christian novel titled ''Man in White'', and he made a spoken word recording of the entire New King James Version of the New Testament. Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man. Accordingly, Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".

Personal life

Early life

Johnny Cash was born in Kingsland, Arkansas, the fourth of seven children to Ray Cash (May 13, 1897, Kingsland, Arkansas – December 23, 1985, Hendersonville, Tennessee) and Carrie Cloveree Rivers (March 13, 1904, Rison, Arkansas – March 11, 1991, Hendersonville, Tennessee). Cash was named J. R. Cash because his parents couldn't think of a name, but the initials "J. R." When Cash enlisted in the Air Force, they wouldn't let him use initials as his name, so he started to use his legal name of John R. Cash. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne and Tommy. His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. J.R. was working in cotton fields beginning at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack. In May 1944, Jack was pulled into a whirling head saw in the mill where he worked and was almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15. Cash often spoke of the horrible guilt he felt over this incident. According to ''Cash: The Autobiography'', his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called ''My Mother's Hymn Book''. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.

Cash enlisted in the United States Air Force on July 7, 1950. After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a Morse Code Intercept Operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians." He was the first radio operator to pick up the news of the death of Joseph Stalin. After he was honorably discharged as a Staff Sergeant on July 3, 1954, he returned to Texas. On August 7, 1954, one month after his discharge, he married his first wife, Vivian Liberto, in San Antonio.

Marriages and family

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters. On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario, marrying on March 1, 1968 in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in ''I Walked the Line: My Life with Johnny'', stating that Cash gave Carter the credit for monetary reasons.

Heritage

Cash found out that his heritage was a British Isles mix. For example, he learned upon researching his heritage that he was of Scottish royal descent on his father's side, traced back to Malcolm I of Scotland. After meeting with now-dead laird Major Michael Crichton-Stuart of Falkland, Fife, Scotland, Johnny traced the Cash family tree to eleventh-century Fife; Cash Loch and other locations in Fife bear the name of his family.

Cash found that he also had English and Scotch-Irish ancestry. Though he learned that he did not have Native American Indian ancestry, his empathy and compassion for Native American Indians were unabated; these feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, ''Bitter Tears: Ballads of the American Indian''. Through his maternal grandmother, Rosanna Lee (Hurst) Rivers, Cash is distantly related to millionaire William Randolph Hearst and socialite Patty Hearst.

Friends

Cash was a long time friend of Woody Hayes (ex Ohio State Buckeyes football coach). The lyrics "I braided Twigs of Willows Made a String of Buckeye Beads" from the song Flesh and Blood was for Woody.

Career

Early career

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment. Cash eventually won over the producer with new songs delivered in his early rock'a'billy style. In 1955 Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with reasonable success on the country hit parade.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title ''Million Dollar Quartet''.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived ''Rainbow Quest.''

He also acted in a 1961 film entitled ''Five Minutes to Live'', later re-released as ''Door-to-door Maniac''. He also wrote and sang the opening theme.

Outlaw image

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at ''The Johnny Cash Show'', Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burned several hundred acres in Los Padres National Forest in California. When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it." The fire destroyed , burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($}} today). Cash eventually settled the case and paid $82,001. He said he was the only person ever sued by the government for starting a forest fire.

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested October 4 by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was 688 Dexedrine capsules and 475 Equanil tablets that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence. Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live ''At San Quentin'' prison album.)

In the mid 1960s, Cash released a number of concept albums, including ''Ballads Of the True West'' (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and ''Bitter Tears'' (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with June Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, Georgia where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, Georgia jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario, Canada on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had "cleaned up". He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmie Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, California for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he entered the Loma Linda Behavioural Medicine Centre in Loma Linda, California for his final rehabilitation (several months later, his son followed him into this facility for treatment).

Folsom Prison Blues

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison. These performances led to a pair of highly successful live albums, ''Johnny Cash at Folsom Prison'' (1968) and ''Johnny Cash at San Quentin'' (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album ''På Österåker'' ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"

From 1969 to 1971, Cash starred in his own television show, ''The Johnny Cash Show'', on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more contemporary performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan. During the same period, he contributed the title song and other songs to the film ''Little Fauss and Big Halsey'', which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, ''The Ballad of Little Fauss and Big Halsey'', was nominated for a Golden Globe award.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album ''Nashville Skyline'' and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from ''The Johnny Cash Show'' was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime", and on behalf of those who have been betrayed by age or drugs. "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits. He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color. To this day, the US Navy's winter blue uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.

In the mid 1970s, Cash's popularity and number of hit songs began to decline. He made commercials for Amoco, an unpopular enterprise in an era in which oil companies made high profits while consumers suffered through high gasoline prices and shortages. However, his autobiography (the first of two), titled ''Man in Black'', was published in 1975 and sold 1.3 million copies. A second, ''Cash: The Autobiography'', appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, ''The Gospel Road'', which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of ''Columbo'' (Swan Song). He also appeared with his wife on an episode of ''Little House on the Prairie'' entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series ''North and South''.

He was friendly with every US President starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends. He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.

When invited to perform at the White House for the first time in 1970, Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason. However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.

Highwaymen

thumb|200px|From left to right Kris Kristofferson, Johnny Cash, Waylon Jennings, Willie Nelson, who formed the country music [[Supergroup (music)|supergroup, The Highwaymen]] In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age forty-eight, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums which were released beginning with the originally titled "Highwaymen" in 1985, followed by "Highwaymen 2" in 1990, and concluding with "Highwaymen - The Road Goes on forever" in 1995.

During that period, Cash appeared in a number of television films. In 1981, he starred in ''The Pride of Jesse Hallam'', winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the ''Muppet Show''. In 1983, he appeared as a heroic sheriff in ''Murder in Coweta County'', based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm.

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody. "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album ''Class of '55''. Also in 1986, Cash published his only novel, ''Man in White'', a book about Saul and his conversion to become the Apostle Paul. He also recorded ''Johnny Cash Reads The Complete New Testament'' in 1990.

American Recordings

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album ''I Scream Sunday''. In 1993, he sang "The Wanderer" on U2's album ''Zooropa''. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded ''American Recordings'' (1994) in his living room, accompanied only by his Martin dreadnought guitar – one of many Cash played throughout his career. The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album ''Red Hot + Country'' produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series ''Dr. Quinn, Medicine Woman'' starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in ''The Simpsons'' episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released ''Unchained'', which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography ''Man in Black'', he wrote ''Cash: The Autobiography'' in 1997.

Last years and death

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of multiple system atrophy. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums ''American III: Solitary Man'' (2000) and ''American IV: The Man Comes Around'' (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from ''American IV'', is now generally recognized as "his epitaph," and received particular critical and popular acclaim. June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003 concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

Cash died of complications from diabetes at approximately 2:00 a.m. CT on September 12, 2003 while hospitalized at Baptist Hospital in Nashville - less than four months after his wife. It was suggested that Johnny's health worsened due to a broken heart over June's death. He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

His stepdaughter, Rosie Nix Adams and another passenger were found dead on a bus in Montgomery County, Tennessee, on October 24, 2003. It was speculated that the deaths may have been caused by carbon monoxide from the lanterns in the bus. Adams was 45 when she died. She was buried in the Hendersonville Memory Gardens, near her mother and stepfather.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.

In June 2005, his lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. The home was destroyed by fire on April 10, 2007.

One of Cash's final collaborations with producer Rick Rubin, entitled ''American V: A Hundred Highways'', was released posthumously on July 4, 2006. The album debuted in the No.1 position on the ''Billboard'' Top 200 album chart for the week ending July 22, 2006.

On February 23, 2010, three days before what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled ''American VI: Ain't No Grave''.

Legacy

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock.

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; ''Kindred Spirits'' contains works from established artists, while ''Dressed in Black'' contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled ''Unearthed'' was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a ''Best of Cash on American'' retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica. The Johnny Cash Memorial Fund was founded.

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, ''Rolling Stone Magazine'' ranked Cash No.31 on their list of the ''100 Greatest Artists of All Time''.

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled ''Tough All Over''. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway"; the Johnny Cash Museum is located in the town.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

WWE Superstar The Undertaker has been using Cash's song "Aint No Grave" (from ''American VI: Ain't No Grave'') as his entrance theme since February 21, 2011. Independent circuit wrestlers Tyson Dux and Brodie Lee also use "God's Gonna Cut You Down" (from ''American V: A Hundred Highways'') as entrance music. Other professional wrestlers who have used Cash's songs as entrance music include Austin Aries, who used his cover of the Depeche Mode's song "Personal Jesus" (from ''American IV: The Man Comes Around''), and Necro Butcher, who used both "The Man Comes Around" and "Hurt". WWE also used "Hurt" in a special video package that was aired on Monday Night RAW in November 2005 as a tribute to Eddie Guerrero, a popular WWE Superstar who had died of heart failure while he was still contracted with the company. It is also noted that current WWE Superstar Ted DiBiase, Jr. is a huge fan of Cash, as is former WWE Diva and current TNA Knockout Mickie James.

Along with the television show "The Deadliest Catch" is using the song "Ain't No Grave" as the theme song in many of their commercials.

Portrayals

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie was the first to portray Cash, in the short film, ''I Still Miss Someone.''

In November of 2005, ''Walk the Line'', an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny (for which he was nominated for the 2005 Best Actor Oscar) and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

On March 12, 2006 ''Ring of Fire'', a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

On April 11, 2010, ''Million Dollar Quartet'', a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography

: ''See Johnny Cash discography, and Johnny Cash Sun Records discography.''

Awards and honors

: ''For detailed lists of music awards, see List of Johnny Cash awards.''

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame. He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts. He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.

Further reading

Graeme Thomson ''The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings'' Jawbone Press ISBN 978-1906002367

Sources

Notes

References

D'Ambrosio, Antonino (2009). ''A Heartbeat and A Guitar: Johnny Cash and the Making of Bitter Tears''. With Original Art by Shepard Fairey and Photos by Jim Marshall. Perseus Books/Nation Books ISBN 9781568584072

Millier, Bill. (retrieved September 7, 2004). Johnny Cash Awards. JohnnyCash.com.

Streissguth, Michael. ''Johnny Cash at Folsom Prison: The Making of a Masterpiece'', Da Capo Press (2004). ISBN 0-306-81338-6.

Urbanski, Dave. ''The Man Comes Around: The Spiritual Journey of Johnny Cash''. New York: Relevant Books. ISBN 0-9729276-7-0.

Turner, Steve. ''The Man Called Cash: The Life, Love, and Faith of an American Legend''. Nashville, W Publishing Group, 2004. (The Authorized Biography).

Published works

Cash, Johnny. ''Man in Black: His Own Story in His Own Words''. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.

Cash, Johnny, with Patrick Carr. ''Cash: The Autobiography''. New York: Harper Collins, 1997. ISBN 0-06-101357-9.

Cash, Johnny, with June Carter Cash. ''Love'' liner notes. New York: Sony, 2000.

Cash, Johnny, ''The Man in White'', 1986.

External links

Johnny Cash Official Label Website

Johnny Cash Radio Webcast

Johnny Cash World - buy songs, albums, movies, books with Johnny Cash

Official Johnny Cash Lost Highway Artist Page

at the Country Music Hall of Fame

at the Rock and Roll Hall of Fame

at the Rockabilly Hall of Fame

at the Hit Parade Hall of Fame

Larry King's November 26, 2002 interview With Johnny Cash on CNN

Johnny Cash: Best Photos – slideshow by ''Life magazine''

Category:1932 births Category:2003 deaths Category:People from Cleveland County, Arkansas Category:Actors from Arkansas Category:American autobiographers Category:American composers Category:American country guitarists Category:American country singers Category:American country songwriters Category:American folk guitarists Category:American folk singers Category:American bass-baritones Category:American performers of Christian music Category:American Protestants Category:Country musicians from Arkansas Category:Burials in Tennessee Category:Charly Records artists Category:Columbia Records artists Category:Country Music Hall of Fame inductees Category:Deaths from diabetes Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Grand Ole Opry members Category:Kennedy Center honorees Category:Musicians from Arkansas Category:People from Sumner County, Tennessee Category:People with Parkinson's disease Category:Rockabilly Hall of Fame inductees Category:Rock and Roll Hall of Fame inductees Category:American people of Scottish descent Category:American people of English descent Category:American people of Scotch-Irish descent Category:The Highwaymen (country supergroup) members Category:Sun Records artists Category:United States Air Force airmen Category:United States National Medal of Arts recipients Category:People self-identifying as substance abusers Category:Grammy Legend Award Category:Million Dollar Quartet members

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"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise. Also, " The Man is coming" is a term used to frighten small children who are misbehaving.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.

History

The term "the Man" in the American sense dates back to the late 19th Century. In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

It was also used as a term for a drug dealer in the 1950s and 1960s and can be seen in such media as Curtis Mayfield's "No Thing On Me"; Jonathan Larson's ''Rent'', William Burroughs's novel ''Naked Lunch'', and in the Velvet Underground song "I'm Waiting for the Man", in which Lou Reed sings about going to Uptown Manhattan, specifically Lexington Avenue and 125th Street, to buy heroin.

The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in ''U.S. News and World Report'', had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine ''Easyriders'' which featured the tagline, "California residents: Add 6% sales tax for The Man."

In present day, the phrase has been popularized in commercials and cinema.

Use as praise

The term has also been used as an approbation or form of praise. This may refer to the recipient's status as the leader or authority within a particular context, or it might be assumed to be a shortened form of a phrase like "He is the man (who is in charge)." One example of this usage dates to 1879 when Otto von Bismarck commented, referring to Benjamin Disraeli's pre-eminent position at the Congress of Berlin, "The old Jew, he is the man."

In more modern usage, it can be a superlative compliment ("you da man!") indicating that the subject is currently standing out amongst his peers even though they have no special designation or rank, such as a basketball player who is performing better than the other players on the court. It can also be used as a genuine compliment with an implied, slightly exaggerated or sarcastic tone, usually indicating that the person has indeed impressed the speaker but by doing something relatively trivial.

See also

Absentee landlord

Big Brother (Nineteen Eighty-Four)

New World Order (conspiracy theory)

Ruling class

The Establishment

Power elite

Corrections officer

YTMND

Notes

References

Lighter, J.E. (Ed.). (1997). ''Random House Dictionary of American Slang''. New York: Random House.

Category:Slang expressions Category:Stock characters Category:English idioms Category:Pejorative terms for people Category:Military-industrial complex

Coordinates	40°26′30″N80°00′00″N
Character name	Captain America
Converted	y
Alter ego	Steven "Steve" Rogers
Publisher	Marvel Comics
Debut	''Captain America Comics'' #1 (March 1941)
Creators	Joe SimonJack Kirby
Alliances	Illuminati"Secret Avengers" (Civil War)AvengersInvadersAll-Winners SquadSecret DefendersS.H.I.E.L.D.Project: RebirthU.S. ArmyRedeemersNew AvengersSecret Avengers
Aliases	Nomad, The Captain, Brett Hendrick, Roger Stevens, Weapon I
Partners	Bucky (James Barnes)FalconNomad (Monroe)Bucky (Rick Jones)Free SpiritJack FlagBucky (Rikki)Demolition ManSharon Carter
Supports
Powers	Physical attributes enhanced to peak of human potentialExpert martial artist and hand-to-hand combatantAll-terrain acrobaticsMaster tactician and field commanderVibranium-steel alloy shield
Cat	super
Subcat	Marvel Comics
Hero	y
Sortkey	Captain America }}

Captain America is a fictional character, a superhero that appears in comic books published by Marvel Comics. The character first appeared in ''Captain America Comics'' #1 (March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. Over the years, an estimated 210 million copies of "Captain America" comic books have been sold in a total of 75 countries. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers, a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon.

An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in ''The Avengers'' #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.

Steve Rogers was purportedly assassinated in ''Captain America'' vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series ''Captain America'' continued to be published, with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle, and keeping it at the insistence of Rogers, who upon his return began operating as an intelligence agent in the ''Secret Avengers'' title, and in the limited series ''Steve Rogers: Super Soldier''.

Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial ''Captain America.'' Since then, the character has been featured in several other films and television series, including ''Captain America: The First Avenger,'' released on July 22, 2011. Captain America was ranked 6th on IGN's Top 100 Comic Book Heroes in 2011.

Publication history

In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume . "I wrote the name 'Super American' at the bottom of the page," Simon said in his autobiography. "No, it didn't work. There were too many 'Supers' around. 'Captain America' had a good sound to it. There weren't a lot of captains in comics. It was as easy as that. The boy companion was simply named Bucky, after my friend Bucky Pierson, a star on our high school basketball team."

Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead from and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:

Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.

Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."

''Captain America Comics'' #1 — cover-dated March 1941 and on sale in December 1940, a year before the attack on Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw — sold nearly one million copies. While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of... threatening letters and hate mail. Some people really opposed what Cap stood for." Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II. With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Stanley Lieber, now better known by his pen name Stan Lee, contributed to the character in issue #3 in the filler text story "Captain America Foils the Traitor's Revenge," which introduced the character's use of his shield as a returning throwing weapon. Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty."

Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines like ''Time'' during the period. After the Simon and Kirby team moved to DC in late 1941, having produced ''Captain America Comics'' through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was also featured in ''All Winners Comics'' #1-19 (Summer 1941 – Fall 1946), ''Marvel Mystery Comics'' #80-84 and #86-92, ''USA Comics'' #6-17 (Dec. 1942 – Fall 1945), and ''All Select Comics'' #1-10 (Fall 1943 – Summer 1946).

In the post-war era, with the popularity of superheroes fading, Captain America led Timely's first superhero team, the All-Winners Squad, in its two published adventures, in ''All Winners Comics'' #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 ''Captain America'' story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. ''Captain America Comics'' ended with issue #75 (Feb. 1950), by which time the series had been titled ''Captain America's Weird Tales'' for two issues, with the finale being a horror/suspense anthology issue with no superheroes.

Atlas Comics attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in ''Young Men'' #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in ''Young Men'' #24-28 and ''Men's Adventures'' #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure, and the character's title was canceled with ''Captain America'' #78 (Sept. 1954).

Silver Age revival

In the Human Torch story titled "Captain America" in Marvel Comics' ''Strange Tales'' #114 (Nov. 1963), writer-editor Stan Lee and artist and co-plotter Jack Kirby depicted the brash young Fantastic Four member Johnny Storm, the Human Torch, in an exhibition performance with Captain America, described as a legendary World War II and 1950s superhero who has returned after many years of apparent retirement. The 18-page story ends with this Captain America revealed as an impostor: it was actually the villain the Acrobat, a former circus performer the Torch had defeated in ''Strange Tales'' #106, who broke two thieves out of jail, hoping to draw the police away while trying to rob the local bank. Afterward, Storm digs out an old comic book in which Captain America is shown to be Steve Rogers. A caption in the final panel says this story was a test to see if readers would like Captain America to return.

Captain America was then formally reintroduced in ''The Avengers'' #4 (March 1964), which explained that in the final days of WWII, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. He quickly became leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."

After then guest-starring in the feature "Iron Man" in ''Tales of Suspense'' #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue. Kirby, Captain America's co-creator, was illustrating his hero's solo adventures again for the first time since 1941. Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky.

In the 1970s, the post-war versions of Captain America were retconned into separate, successive characters who briefly took up the mantle of Captain America after Steve Rogers went into suspended animation near the end of World War II. The hero found a new generation of readers as leader of the all-star superhero team the Avengers, and in a new solo feature beginning in ''Tales of Suspense'' #59 (Nov. 1964), a "split book" shared with the feature "Iron Man". Kirby drew all but two of the stories in ''Tales of Suspense,'' which became ''Captain America'' with #100 (April 1968); Gil Kane and John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inker John Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title ''Captain America'' continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called ''Captain America and the Falcon'' from #134-222 (although the Falcon's name was not on the cover for issues #193, 200, and 216).

This series — considered ''Captain America'' volume one by comics researchers and historians, following the 1940s ''Captain America Comics'' and its 1950s numbering continuation — ended with #454 (Aug. 1996).

After the Silver Age

This series was almost immediately followed by the 13-issue ''Captain America'' vol. 2 (Nov. 1996 – Nov. 1997), the 50-issue ''Captain America'' vol. 3 (Jan. 1998 – Feb. 2002), the 32-issue ''Captain America'' vol. 4 (June 2002 – Dec. 2004), and ''Captain America'' vol. 5 (Jan. 2005 – July 2009). Beginning with the 600th overall issue counting these series, ''Captain America'' resumed its original numbering with issue #600, as if the series numbering had continued uninterrupted after #454.

As part of the aftermath of Marvel Comics' company-crossover storyline "Civil War", Steve Rogers was ostensibly killed in ''Captain America'' vol. 5, #25 (March 2007). Series writer Ed Brubaker remarked, "What I found is that all the really hard-core left-wing fans want Cap to be standing out on and giving speeches on the street corner against the George W. Bush administration, and all the really right-wing fans all want him to be over in the streets of Baghdad, punching out Saddam Hussein." The character's co-creator, Joe Simon, remarked, "It's a hell of a time for him to go. We really need him now." Artist Alex Ross designed a slightly revised Captain America costume that former sidekick Bucky Barnes began to wear as the new Captain America in vol. 5, #34 (March 2008)

The storyline of Rogers' return began in issue #600. Rogers, who was not dead but caroming through time, returned to the present day in the six-issue miniseries ''Captain America: Reborn'' (Sept. 2009 – March 2010).

After Rogers' return, Barnes, at Rogers' insistence, continued as Captain America, beginning in the one-shot comic ''Captain America: Who Will Wield the Shield?'' (Feb. 2010). While Bucky Barnes continued adventuring in the pages of ''Captain America'', Steve Rogers received his own miniseries (''Steve Rogers: Super-Soldier'') as well as taking on the leadership position in a new ''Secret Avengers'' ongoing series.

Spinoff series included ''Captain America Sentinel of Liberty'' (Sept. 1998 – Aug. 1999) and ''Captain America and the Falcon'' (May 2004 – June 2005). The 1940s Captain America appeared alongside the 1940s Human Torch and Sub-Mariner in the 12-issue miniseries ''Avengers/Invaders''. The 2007 mini-series ''Captain America: The Chosen'', written by David Morrell and penciled by Mitchell Breitweiser, depicts a dying Steve Rogers' final minutes, at S.H.I.E.L.D. headquarters, as his spirit guides James Newman, a young American marine fighting in Afghanistan. ''The Chosen'' is not part of the main Marvel Universe continuity.

Fictional character biography

1940s

Steve Rogers was born July 4, 1917, in the Lower East Side of Manhattan, New York City, to Irish immigrants Sarah and Joseph Rogers. Joseph Rogers died when Steve was only a child and his mother, Sarah, died of pneumonia while Steve was a teen. By early 1940, before America's entry into World War II, Rogers is a tall but scrawny fine arts student specializing in illustration. Disturbed by the rise of the Third Reich, Rogers attempts to enlist, only to be rejected due to being in poor shape. U.S. Army General Chester Phillips, looking for test subjects, offers Rogers the chance to serve his country by taking part in a top-secret defense project — Operation: Rebirth, which seeks to develop a means of creating physically superior soldiers. Rogers volunteers for the research and, after a rigorous selection process, is chosen as the first human test subject for the Super-Soldier serum developed by the scientist "Dr. Josef Reinstein", later retroactively changed to a code name for the scientist Abraham Erskine.

That night, Operation: Rebirth is implemented and Rogers receives injections and oral doses of the Super-Soldier Serum. He is then exposed to a controlled burst of "Vita-Rays" that activate and stabilize the chemicals in his system. Although the process is arduous physically, it successfully alters his physiology almost instantly from its relatively frail form to the maximum of human efficiency, greatly enhancing his musculature, reflexes, agility, stamina and intelligence. Erskine declares Rogers to be the first of a new breed of man, a "nearly perfect human being."

The process he underwent has varied from account to account. In the original 1941 story, he was injected with the formula. When the origin was retold in ''Tales of Suspense'' #63, the Comics Code Authority and its prohibitions on demonstrations of drug use were in force, and the injection was replaced with drinking a formula. In ''Captain America'' #109, the Vita-Rays were first introduced, although a dialogue comment preserved continuity by mentioning that he had also drunk the formula beforehand. The retelling of the story in ''Captain America'' #255, however, stated that all three were used in combination. In addition, the limited series, ''The Adventures of Captain America'' reveals that Rogers also underwent rigorous physical training in combat prior to his enhancement.

After the physical transformation, Nazi spy Heinz Kruger reveals himself and shoots Erskine. Because the scientist had committed crucial portions of the Super-Soldier formula to memory, duplicating it perfectly would be unlikely. The spy dies, killed either while running away to escape Rogers or because Rogers threw him into live machinery. In the 1941 origin story and the ''Tales of Suspense'' #63 version, he dies when running into the machinery but is not killed by Rogers; in the ''Captain America'' #109 and #255 revision, however, Rogers causes the spy's death by punching him into the machinery.

The United States government, making the most of its one super-soldier and to hide all information about Operation: Rebirth and its failure, re-imagines him as a superhero who serves as both a counter-intelligence agent and a propaganda symbol to counter Nazi Germany's head of terrorist operations, the Red Skull. To that end, Rogers is given a uniform modeled after the American flag (based on Rogers' own sketches) a bulletproof shield, a personal side arm, and the codename Captain America. He is also given a cover identity as a clumsy infantry private at Camp Lehigh in Virginia. Barely out of his teens himself, Rogers makes friends with the camp's teenage mascot, James Buchanan "Bucky" Barnes.

Barnes accidentally learns of Rogers' dual identity and offers to keep the secret if he can become Captain America's sidekick. Rogers agrees and trains Barnes. Rogers meets President Franklin D. Roosevelt, who presents him with a new shield, forged from an alloy of steel and vibranium, fused by an unknown catalyst. The alloy is indestructible, yet the shield is light enough to use as a discus-like weapon that can be angled to return to him. It proves so effective that Captain America forgoes the sidearm. Throughout World War II, Captain America and Bucky fight the Nazi menace both on their own and as members of the superhero team the Invaders (as seen in the 1970s comic of the same name). Captain America also battles a number of criminal menaces on American soil, including a wide variety of costumed villains: the Wax Man, the Hangman, the Fang, and the White Death, the superhero team the Avengers discovers Steve Rogers' body in the North Atlantic, the Captain's uniform under his soldier's fatigues and still carrying his shield. After he revives, they piece together that Rogers had been preserved in a block of ice since 1945, surviving in such a state only because of his enhancements from Operation: Rebirth. The block had begun to melt after the Sub-Mariner, enraged that an Arctic Inuit tribe is worshiping the frozen figure, throws it into the ocean. Rogers accepts membership in the Avengers, and although long out of his time, his considerable combat experience makes him a valuable asset to the team. He quickly assumes leadership, and has typically returned to that position throughout the team's history.

Captain America is plagued by guilt for having been unable to prevent Bucky's death—a feeling that does not ease for some time. Although he takes the young Rick Jones (who closely resembles Bucky) under his tutelage, he refuses for some time to allow Jones to take up the Bucky identity, not wishing to be responsible for another youth's death. Insisting that his hero finally move on from that loss, Jones eventually convinces Rogers to let him don the Bucky costume, but this partnership lasts only a short time; a disguised Red Skull, impersonating Rogers with the help of the Cosmic Cube, drives Jones away.

Rogers also reunites with his old war comrade Nick Fury, who is similarly well-preserved due to the "Infinity Formula." As a result, Rogers regularly undertakes missions for the security agency S.H.I.E.L.D. for which Fury is public director. Through Fury, Rogers befriends Sharon Carter, a S.H.I.E.L.D. agent, with whom he eventually begins a romantic relationship.

Rogers later meets and trains Sam Wilson, who becomes the superhero the Falcon, the first African-American superhero in mainstream comic books. The characters established an enduring friendship and adventuring partnership, sharing the series title for some time as ''Captain America and the Falcon''. The two later encounter the revived but still insane 1950s Captain America. Although Rogers and the Falcon defeat the faux Rogers and Jack Monroe, Rogers becomes deeply disturbed that he could have suffered his counterpart's fate.

The series also dealt with the Marvel Universe's version of the Watergate scandal, making Rogers so uncertain about his role that he abandons his Captain America identity in favor of one called Nomad, emphasizing the word's meaning as "man without a country". During this time, several men unsuccessfully assume the Captain America identity. Rogers eventually re-assumes it after coming to consider that the identity could be a symbol of American ideals and not its government; it's a personal conviction epitomized when he later confronted a corrupt Army officer attempting to manipulate him by appealing to his loyalty, "I'm loyal to nothing, General... except the [American] Dream." Jack Monroe, cured of his mental instability, later takes up the Nomad alias. During this period, Rogers also temporarily gains super strength. Immediately after witnessing Number One's suicide, he is summoned to the future to participate in the Destiny War between Kang the Conqueror and Immortus (it is revealed over the course of the story that Rogers was selected from this time frame as, had he been taken from any other time period, his strong personality- shaken at this point by the events he had just witnessed- would have dominated the team and deprived them of the flexibility required to succeed in their mission, although his presence alone still brought cohesion to the group). He also learns of the apparent death of Sharon Carter.

1980s to 1990s

The early 1980s included runs from such creators as Roger Stern, John Byrne, and J. M. DeMatteis. Stern had Steve Rogers considers a run for President of the United States in ''Captain America'' #250 (June 1980), and and introduced a new love interest, law student Bernie Rosenthal, in ''Captain America'' #248 (Aug. 1980). Stern also revisited and expanded Captain America's origin story.

DeMatteis revealed the true face and full origin of the Red Skull in ''Captain America'' #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time. It is also around this time that the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries ''Secret Wars''

Also during the 1980s, Mark Gruenwald wrote 137 issues of the book for 10 consecutive years from 1985 to 1995, the most issues by any single author in the character's history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included new love interest Diamondback., Super Patriot (who would go on to become a replacement Captain America in a two-year story arc and became USAgent at that arc's conclusion), and some short-lived new partners that included Demolition Man.

Gruenwald explores numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher; and vigilantism when he hunts the murderous Scourge of the Underworld. Homophobia was also dealt with as Steve Rogers runs into a childhood friend named Arnold Roth who is gay.

Rogers receives a large back-pay reimbursement dating back to his disappearance at the end of World War II, and a government commission orders him to work directly for the U.S. government. Already troubled by the corruption he had encountered with the Nuke incident in New York City, Rogers chooses instead to resign his identity, and then takes the alias of "the Captain". A replacement Captain America, John Walker, struggles to emulate Rogers' ideals until pressure from hidden enemies helps to drive Walker insane. Rogers returns to the Captain America identity while a recovered Walker becomes the U.S. Agent.

Sometime afterward, Rogers avoids the explosion of a methamphetamine lab, but the drug triggers a chemical reaction in the Super-Soldier serum in his system. To combat the reaction, Rogers has the serum removed from his body, and trains constantly to maintain his physical condition.

A retcon later establishes that the serum was not a drug per se, which would have metabolized out of his system, but in fact a virus-like organism that effected a biochemical and genetic change. This additionally explained how arch-nemesis Red Skull, who at the time inhabited a body cloned from Rogers' cells, also has the formula in his body.

Because of his altered biochemistry, Rogers' body begins to deteriorate, and for a time he must wear a powered exoskeleton and is eventually placed again in suspended animation. During this time, he is given a transfusion of blood from the Red Skull, which cures his condition and stabilizes the Super-Soldier virus in his system. Captain America returns both to crime fighting and the Avengers.

Following Gruenwald's departure on the book, Mark Waid took over and resurrected Sharon Carter as Cap's love interest. The book was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement. Following Waid's run, Dan Jurgens took over and introduced new foe Protocide, a failed recipient of the Super Soldier serum prior to the experiment that successfully created Rogers.

2000s

Rogers reveals his identity to the world, and establishes a residence in the Red Hook neighborhood of Brooklyn, New York.

Following the events of ''Avengers Disassembled'', again under the employ of S.H.I.E.L.D., Rogers discovers that Bucky is alive, having been saved and deployed by Soviet espionage interests as the Winter Soldier. Rogers also resumes his on-again, off-again relationship with S.H.I.E.L.D. agent Sharon Carter, who, after his death, believes she is pregnant with Steve Rogers' child.

In the 2006-2007 "Civil War" crossover, Captain America opposes mandatory federal registration of all super-powered beings, which he sees as an erosion of civil liberties for the superhero community, and leads the Anti-Registration faction and resistance movement. He becomes a fugitive and opposes the heroes of the Pro-Registration group, including his former friend Iron Man. He adopts the alias "Brett Hendrick", a mall security guard, to avoid government detection. As the War continues, Cap enlists the assistance of several figures with whom he would not choose to ally himself under normal circumstances, such as the Punisher and the Kingpin.

Captain America battles Iron Man during the climactic battle and has victory within his grasp when a group of civilians attempt to restrain him. Rogers realizes that he is endangering the very people he has sworn to protect. He then surrenders to the authorities and orders the Anti-Registration forces to stand down. As Rogers is led away in handcuffs, the Punisher retrieves Captain America's discarded mask.

''The Death of Captain America'' story arc follows his surrender. Steve Rogers is indicted on multiple criminal charges; as he is brought to a federal courthouse, a sniper shoots him in the back. In the chaos that ensues, he is wounded three more times in the stomach and chest by Sharon Carter. Rogers is taken to a hospital, where by all evidence he dies. The assassination, orchestrated by the Red Skull, involves Crossbones as the sniper and Dr. Faustus posing as a S.H.I.E.L.D. psychiatrist, who gives Carter a hypnotic suggestion to shoot Rogers at a crucial moment.

The superhero community is shaken by the assassination. The Punisher temporarily adopts a costume similar to that of Captain America, while Winter Soldier and Wolverine seek to avenge Rogers' death. The Winter Soldier steals Captain America's shield, and the Punisher provides him with the mask from Steve Rogers' uniform. Captain America is publicly laid to rest in Arlington National Cemetery, under a monument built in his honor. The body in Arlington is a fake: Tony Stark, accompanied by Hank Pym and Janet Van Dyne, returns Rogers' body to the Arctic where Rogers had been found years before. Namor attends the small private ceremony and vows no one will disturb the site.

Stark receives a letter containing Rogers' final requests: Stark should "save" Bucky, and that, despite his demise, the world still needs Captain America. Bucky accepts Stark's offer to take on the mantle of Captain America in exchange for a promise of autonomy from Stark. Bucky kept Rogers' trademark shield, but donned a new costume and began carrying a pistol and a knife.

''Captain America: Reborn'' #1 revealed that Rogers did not die; instead, the villainous Red Skull had Sharon Carter use a gun that transported him to a fixed position in space and time. Since then, Captain America had been phasing in and out of space and time, appearing at events in his lifetime and fighting battles. The Red Skull brings Rogers back to the present, where he takes control of Rogers' mind and body. Rogers eventually regains control, and with help from his allies, defeats the Red Skull.

In the one-shot comic ''Captain America: Who Will Wield the Shield?'', taking place after the conclusion to ''Reborn'', Rogers formally hands Bucky his Captain America shield and asks his former sidekick to continue as Captain America. Later, the American President grants Rogers a full pardon for his actions in ''Civil War''.

2010s

Following the company-wide "Dark Reign" and "Siege" story arcs, the Steve Rogers character became part of the "Heroic Age" arc. The U.S. president appoints Rogers, in his civilian identity, as head of the nation's security, replacing Norman Osborn. The Superhuman Registration Act is repealed and Rogers reestablishes the superhero team the Avengers. In the miniseries ''Steve Rogers: Super Soldier'', he encounters Jacob Erskine, the grandson of Professor Abraham Erskine and the son of Tyler Paxton, one of Rogers' fellow volunteers in the Super-Soldier program, the serum in his body being briefly deactivated before Rogers manages to force his enemies to restore it thanks to his combat training allowing him to hold his own despite his weakened physique. Rogers also becomes the leader of the Secret Avengers, a black-ops team that operates under a veil of secrecy.

Marvel stated in May 2011 that Rogers, following the death of Bucky Barnes in the ''Fear Itself'' miniseries, would resume his Captain America identity in a sixth volume of ''Captain America'', by writer Ed Brubaker and artist Steve McNiven.

Powers and abilities

Captain America has no superhuman powers, although as a result of the Super-Soldier Serum and "Vita-Ray" treatment, he is transformed from a frail young man into a "perfect" specimen of human development and conditioning. Captain America's strength, endurance, agility, speed, reflexes, durability, and healing are at the zenith of natural human potential. Rogers' body regularly replenishes the super-soldier serum; it does not wear off.

The formula enhances all of his metabolic functions and prevents the build-up of fatigue poisons in his muscles, giving him endurance far in excess of an ordinary human being. This accounts for many of his extraordinary feats, including bench pressing 1200 pounds (545 kg) and running a mile (1.6 km) in approximately 73 seconds. Furthermore, his enhancements are the reason why he was able to survive being frozen in suspended animation for decades. Rogers cannot become intoxicated by alcohol, drugs, or impurities in the air and is immune to terrestrial diseases. He is also highly resistant to hypnosis or gases that could limit his focus. The secrets of creating a super-soldier were lost with the death of its creator, Dr. Abraham Erskine. However, in the ensuing decades there have been numerous secret attempts to recreate Erskine's treatment, only to have predominantly all end in failure. Even worse, the attempts have instead often created psychopathic supervillains of which Captain America's 1950s imitator and Nuke are the most notorious examples.

Rogers' battle experience and training make him an expert tactician and an excellent field commander, with his teammates frequently deferring to his orders in battle. Rogers' reflexes and senses are also extraordinarily keen. He has blended judo, western boxing, kickboxing, and gymnastics into his own unique fighting style and is a master of multiple martial arts. Years of practice with his indestructible shield make him able to aim and throw it with almost unerring accuracy. His skill with his shield is such that he can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. In canon, he is regarded by other skilled fighters as one of the best hand-to-hand combatants in the Marvel Universe. Although the super-soldier serum is an important part of his strength, Rogers has shown himself still sufficiently capable against stronger opponents, even when the serum has been deactivated reverting him to his pre-Captain America physique.

Rogers has vast U.S. military knowledge and is often shown to be familiar with ongoing, classified Defense Department operations. He is an expert in combat strategy, survival, acrobatics, military strategy, piloting, and demolitions. Despite his high profile as one of the world's most popular and recognizable superheroes, Rogers also has a broad understanding of the espionage community, largely through his ongoing relationship with S.H.I.E.L.D. He occasionally makes forays into relatively mundane career fields, including commercial arts, comic book artistry, education (high school history), and law enforcement.

Weapons and equipment

Captain America uses several shields throughout his history, the most prevalent of which is a nigh-indestructible disc-shaped shield made from an experimental alloy of steel and the fictional vibranium. The shield was cast by American metallurgist Dr. Myron MacLain, who was contracted by the U.S. government, from orders of President Franklin Delano Roosevelt, to create an impenetrable substance to use for tanks during World War II. This alloy was created by accident and never duplicated, although efforts to reverse-engineer it resulted in the discovery of adamantium.

Captain America often uses his shield as an offensive throwing weapon. The first instance of Captain America's trademark ricocheting shield-toss occurs in Stan Lee's first comics writing, the two-page text story "Captain America Foils the Traitor's Revenge" in ''Captain America Comics'' #3 (May 1941).

The legacy of the shield among other comics characters includes the time-traveling mutant superhero Cable telling Captain America that his shield still exists in one of the possible futures; Cable carries it into battle and brandishes it as a symbol.

When without his trademark shield, Captain America sometimes uses other shields made from less durable metals such as steel, or even a photonic energy shield designed to mimic a vibranium matrix. Rogers, having relinquished his regular shield to Barnes, carried a variant of the energy shield which can be used with either arm, and used to either block attacks or as an improvised offensive weapon able to cut through metal with relative ease. Much like his vibranium shield, the energy shield can also be thrown, including ricocheting off multiple surfaces and returning to his hand.

Captain America's uniform is made of a fire-retardant material, and he wears a lightweight, bulletproof "duralumin" scale armor beneath his uniform for added protection. Originally, Rogers' mask was a separate piece of material, but an early engagement had it dislodged, thus almost exposing his identity. To prevent a recurrence of the situation, Rogers modified the mask with connecting material to his uniform, an added benefit of which was extending his armor to cover his previously exposed neck. As a member of the Avengers, Rogers has an Avengers priority card, which serves as a communications device.

Captain America has also used a custom specialized motorcycle, modified by the S.H.I.E.L.D. weapons laboratory, as well as a custom-built battle van, constructed by the Wakanda Design Group with the ability to change its color for disguise purposes (red, white and blue), and fitted to store and conceal the custom motorcycle in its rear section with a frame that allows Rogers to launch from the vehicle riding it.

Enemies

Captain America has faced numerous foes in over 60 years of published adventures. Many of his recurring foes embody ideals contrary to the American values Captain America is shown to strive for and believe. Some examples of these opposing values are Nazism (Red Skull, Baron Zemo), Neo-Nazism (Crossbones, Doctor Faustus), technocratic fascism (AIM, Arnim Zola), Communism (Aleksander Lukin), anarchism (Flag Smasher and Viper), and international and domestic terrorism (HYDRA).

Other versions

In other media

Collected editions

The contents of ''Captain America Comics'' #1-10 were previously published as ''Captain America: The Classic Years'' two hardcover slipcase set in 1990. These were later re-issued as trade paperbacks in the late 1990s once again under the title ''Captain America: The Classic Years'' featuring new cover art by Kevin Maguire re-creating classic covers. Previous editions of ''War and Remembrance'', ''The Bloodstone Hunt'', ''Operation Rebirth'', ''Man Without a Country'', and ''To Serve and Protect'' were released prior to 2010 editions leading up to the Captain America: The First Avenger feature film.

! Title !! Material collected !! ISBN
''Marvel Masterworks Golden Age Captain America Comics, Vol. 1''	''Captain America Comics'' #1-4
''Marvel Masterworks Golden Age Captain America Comics, Vol. 2''	''Captain America Comics'' #5-8
''Marvel Masterworks Golden Age Captain America Comics, Vol. 3''	''Captain America Comics'' #9-12
''Marvel Masterworks Atlas Era Heroes, Vol. 1''	Includes Captain America stories from ''Astonishing'' #3-6, ''Young Men'' #24-28
''Marvel Masterworks Atlas Era Heroes, Vol. 2''	Includes Captain America stories from ''Men's Adventures'' #27-28, ''Captain America Comics'' #76-78
''Essential Captain America, Vol. 1''	''Tales of Suspense'' #59-99; ''Captain America'' #100-102
''Essential Captain America, Vol. 2''	''Captain America'' #103-126
''Essential Captain America, Vol. 3''	''Captain America'' #127-156
''Essential Captain America, Vol. 4''	''Captain America'' #157-186
''Essential Captain America, Vol. 5''	''Captain America'' #187-205, ''Annual'' #3, ''Marvel Treasury Special: Captain America's Bicentennial Battles''
''Essential Captain America, Vol. 6''	''Captain America'' #206-230, ''Annual'' #4; ''Incredible Hulk'' #232
''Captain America and the Falcon: Secret Empire''	''Captain America'' #169-176
''Captain America and the Falcon: Nomad''	''Captain America'' #177-186
''Captain America and the Falcon: Madbomb''	''Captain America'' #193-200
''Captain America: Bicentennial Battles''	''Captain America'' #201-205; ''Bicentennial Battles'' #1
''Captain America and the Falcon: The Swine''	''Captain America'' #206-214, ''Annual'' #3-4
''Captain America: War and Remembrance''	''Captain America'' #247-255
''Captain America: Deathlok Lives''	''Captain America'' #286-288
''Captain America: Scourge of the Underworld''	''Captain America'' #318-320, back-up stories from #358-362; ''USAgent'' #1-4;
''Captain America: The Captain''	''Captain America'' #332-350; ''Iron Man'' #228
''Captain America: The Bloodstone Hunt''	''Captain America'' #357-364
''Captain America: Streets of Poison''	''Captain America'' #372-378
''Avengers: Galactic Storm, Book 1''	''Captain America'' #398-399, ''Avengers West Coast'' #80-81, ''Quasar'' #32-33, ''Wonder Man'' #7-8, ''Avengers'' #345-346, ''Iron Man'' #278 and ''Thor'' #445
''Avengers: Galactic Storm, Book 2''	''Iron Man'' #279, ''Thor'' #446, ''Captain America'' #400-401, ''Avengers West Coast'' #82, ''Quasar'' #34-35, ''Wonder Man'' #9, ''Avengers'' #347, ''What If?'' #55-56
''Captain America: Man and Wolf''	''Captain America'' #402-408
''Captain America: Fighting Chance: Denial''	''Captain America'' #425-430
''Captain America: Fighting Chance: Acceptance''	''Captain America'' #431-437
''Captain America: Operation Rebirth''	''Captain America'' #444-448
''Captain America: Man Without a Country''	''Captain America'' #450-453
''Heroes Reborn: Captain America''	''Captain America'' vol. 2, #1-12
''Captain America: To Serve and Protect''	''Captain America'' vol. 3, #1-7
''Captain America: American Nightmare''	''Captain America'' vol. 3, #8-13, ''Annual 1998''
''Captain America: Red Glare''	''Captain America'' vol. 3, #14-19, ''Captain America Spotlight''
''Captain America: Sentinel of Liberty''	''Captain America: Sentinel of Liberty'' #1-12
''Captain America: The New Deal''	''Captain America'' vol. 4, #1-6
''Captain America: The Extremists''	''Captain America'' vol. 4, #7-11
''Captain America: Ice''	''Captain America'' vol. 4, #12-16
''Captain America: Cap Lives''	''Captain America'' vol. 4, #17-20; ''Tales of Suspense'' #66
''Captain America: Homeland''	''Captain America'' vol. 4, #21-28
''Captain America and the Falcon: Two Americas''	''Captain America and the Falcon'' #1-4
''Avengers Disassembled: Captain America''	''Captain America'' vol. 4, #29-32; ''Captain America and the Falcon'' #5-7
''Captain America and the Falcon: Brothers and Keepers''	''Captain America and the Falcon'' #8-14
''Captain America: Winter Soldier, Book One''	''Captain America'' vol. 5, #1-7
''Captain America: Winter Soldier, Book Two''	''Captain America'' vol. 5, #8-9, #11-14
''Captain America: Red Menace, Book One''	''Captain America'' vol. 5, #15-17; ''Captain America 65th Anniversary Special''
''Captain America: Red Menace, Book Two''	''Captain America'' vol. 5, #18-21
''Captain America: Civil War''	''Captain America'' vol. 5, #22-24; ''Winter Soldier: Winter Kills''
''The Death of Captain America, Vol. 1: The Death of the Dream''	''Captain America'' vol. 5, #25-30
''The Death of Captain America, Vol. 2: The Burden of Dreams''	''Captain America'' vol. 5, #31-36
''The Death of Captain America, Vol. 3: The Man Who Bought America''	''Captain America'' vol. 5, #37-42
''Captain America: The Man with No Face''	''Captain America'' vol. 5, #43-48
''Captain America: Road to Reborn'' (HC)	''Captain America'' #600-601; vol. 5, #49-50
''Captain America: Reborn'' (HC)	''Captain America: Reborn'' #1-6
''Captain America: Two Americas''	''Captain America'' #602-605; ''Who Will Wield the Shield?''
''Captain America: No Escape''	''Captain America'' #606-610
''Steve Rogers: Super Soldier''	''Steve Rogers: Super-Soldier'' #1-4
''Captain America: The Trial of Captain America	''Captain America'' #611-615 and #615.1, and material from CAPTAIN AMERICA 70TH ANNIVERSARY MAGAZINE
''Captain America: Prisoner of War	''Captain America'' #616-619
Miscellaneous
''Captain America: The Legacy of Captain America''	''Captain America Comics'' (1941) #1; ''What If?'' (1977) #4; ''Captain America'' #155, #333; ''Captain America'' vol. 5, #34; material from ''Captain America'' (1968) #178-183	SC:
''Captain America Vs. The Red Skull''	''Captain America Comics'' (1941) #1; ''Tales Of Suspense'' #79-81; and ''Captain America'' #143, #226-227, #261-263 and #370; and material from ''Captain America Annual'' #13 and ''Captain America: Red, White & Blue'' #1''	SC:

References

Further reading

External links

Captain America Library

Captain America: The First Avenger (July 2011)

"Captain America: An all-American hero goes back to his roots" - Aug 2011 review by Sasha Simic

Category:Comics characters introduced in 1941 Category:Characters created by Jack Kirby Category:Characters created by Joe Simon Category:Comics adapted into films Category:Fictional aikidoka Category:Fictional artists Category:Fictional boxers Category:Fictional characters from New York City Category:Fictional cryonically preserved characters Category:Fictional American people of Irish descent Category:Fictional judoka Category:Fictional jujutsuka Category:Fictional secret agents and spies Category:Fictional special forces personnel Category:Fictional super soldiers Category:Fictional World War II veterans Category:Film characters Category:Golden Age superheroes Category:Marvel Cinematic Universe characters Category:Marvel Comics martial artists Category:Marvel Comics mutates Category:Marvel Comics titles Category:National personifications in comic books Category:Timely Comics characters Category:United States-themed superheroes

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